Skip to main content

Interview of Dr. Yunus

Telephone interview with Professor Muhammad Yunus immediately following the announcement of the 2006 Nobel Peace Prize, October 13, 2006. The interviewer is Adam Smith, Editor-in-Chief of Nobelprize.org.

[Muhammad Yunus] – Hello, hello.
[AS] – Hello, Professor Yunus?
[MY] – Yes, yes, yes, speaking.
[AS] – Hello, thank you, my name's Adam Smith. I'm calling from the website of the Nobel Foundation in Stockholm to congratulate you, and just to ask ...
[MY] – Oh, thank you so much.
[AS] – We record one minute of interview with new Laureates as soon as they hear, so this is for this purpose.
[MY] – OK.
[AS] – I just wanted to ask you ...
[MY] – OK, go ahead.
[AS] – Two very quick questions. The first is, obviously the prize will bring greatly increased publicity for your work, is there a particular message...
[MY] – Absolutely.
[AS] – Is there any particular message you would like to use the opportunity to get across?
[MY] – The one message that we are trying to promote all the time, that poverty in the world is an artificial creation. It doesn't belong to human civilization, and we can change that, we can make people come out of poverty and have the real state of affairs. So the only thing we have to do is to redesign our institutions and policies, and there will be no people who will be suffering from poverty. So I would hope that this award will make this message heard many times, and in a kind of forceful way, so that people start believing that we can create a poverty-free world. That's what I would like to do.
[AS] – Thank you very much, and does your work with the ...
[MY] – Thank you.
[AS] – Does your work with the Grameen Bank over the last three decades make you more hopeful that this is possible?
[MY] – Oh yes, very much, we see the demonstration of it every day. People come out of poverty every day. So it's right in front of us what happens and it can be done globally, it can be done more forcefully, we can organize more things to go with it, so this is something not theoretical issue, it's a very real issue. People can change their own lives, provided they have the right kind of institutional support. They're not asking for charity, charity is no solution to poverty. Poverty is the creation of opportunities like everybody else has, not the poor people, so bring them to the poor people, so that they can change their lives. That's all we are doing. We didn't do anything special; lend money to the people so – but they never lent it to the poor people – all we did was we lent it to the poor people, and that makes the trick. That makes the change.
[AS] – Thank you very much indeed for speaking to us.
[MY] – Thank you, thank you.
[AS] – One can hear in the background just how exciting this is for everybody so I'll let you get back to it.
[MY] – I know, I know, there's a big crowd here, I know. Thank you, thank you very much, bye, bye.
[AS] – Congratulations, bye, bye.
[MY] – Bye, bye. Thank you.

Comments

Popular posts from this blog

Noy Nombor Bipod Shonket: Film Review

Another venture by renowned Humayun Ahmed. The film is a 100% meaningless movie. But this is not a drawback of the movie. Although the movie is completely meaningless, it does bring a lot of laughter. Good movie to kill idle time. Rating 6 out of 10. হূমায়ুন আহমেদের চলচ্চিত্র 'নয় নম্বর বিপদ সংকেত' তাঁর পরিচালিত অগনিত অর্থহীন ছবিগুলোর মধ্যে অন্যতম। অর্থহীন হলেও ছবিটি দর্শকদের মনে হাসির খোরাক জোগাবে। প্রথমদিকে ছবির গল্প খুবই এলোমেলোভাবে শুরু হলেও ছবিটি শেষ পর্যন্ত্য উপভোগ্য হয়েছে।

দুরের মানুষ

ধারাবাহিক নাটক ‘রমিজের আয়না’র থিম গান এর কথা আমার ব্লগ এ উপস্থিত করলাম আমার প্রিয় পাঠকদের জন্য। এ গানটির কথা আমার খুবই প্রিয়। ভাগ্যের খোঁজে ঘরছাড়া সব মানুষের স্বপ্নের কথা নিয়ে এ গান। দুরের মানুষ আসে অচেনা শহর যন্ত্র নগরে কাটে অবাক প্রহর অবুঝ চোখেতে তার কত না স্বপন অজানা বাসনা মনে গহীন গোপন একাকী পথে হাঁটে সে পাশে চলে ছায়া তার বন্ধু তো নয় অচেনা মুখের সারি ভীরুমন ভয় স্বপ্ন ছোঁয়ার সিড়ি দূরে সরে রয় দুরের মানুষ চেনা নিজেকে হারায় অচেনা নিজেকে দেখে চেনা আয়নায় The theme song 'Durer Manush' of drama series 'Romizer Ayna' is one of my favourites from Habib Wahid's voice. It speaks of the people who have left home for a better life. Transliteration of the song follows: Durer manush ashe ochena shohor Jontro nogore kate obak prohor Obujh chokhete taar koto na shwapan Ojana bashona mone gohin gopon Ekaki pothe haate she pashe chole chaya tar Bondhu to noy Ochena mukher shari virumon voi Shwapno chowar shiri dure shore roy Durer manush chena nijeke haray Ochena nijeke dekhe chena...

The possibilities and limitations for transferring Japanese lean production work practices to British institutional environment

Introduction: ‘Lean production system’ is a very popular generic mass production management system. It is also known as ‘Toyota Production System’. Lean system develops highly responsive systems whereby companies produce “goods and services exactly when they are needed: not before they are needed so that they wait as inventory, nor after they are needed so that it is the customers who have to wait”. (Slack, 2001) It is based on three key principles, eliminate waste, involving everyone and continuous improvement. The lean system was developed by Taiichi Ohno at Toyota in the 1950s. Taiichi was a manufacturing manager and was facing difficulties because of poor supply conditions. He couldn’t plan ahead as he couldn’t predict the supply of raw materials. This was causing cash flow problems as the plan was making more and more unfinished vehicles that couldn’t be sold. To identify which parts were missing he developed a system for linking production stages together very closely a...